The lines between the reality of her life and the fantasy of Tess’s blur, and it’s an easy slope for Leila to fall, because, after all, this fantasy is no longer a life that Tess wants for herself.
As Leila practices impersonating Tess online, she begins to fall in love with Tess’s life, and eventually, begins to allow it to dominate her own. A perennial outcast, Leila is understandably caught up in what she learns about Tess’s life. Here’s where the story becomes especially powerful: the concept of using the internet to mask one’s suicide is compelling enough, but Moggach points the spotlight on the people who can make it happen.
She soon catches the attention of website founder Adrian, who invites her to join the inner circle and help a woman named Tess arrange her own death. Moggach tells the story from the perspective of Leila, a lonely, isolated woman who finds a sense of belonging in the website Red Pill, where members engage in ethical debate. How many of our friends and family members interact with us only through email and social media channels? If it were someone else emailing and posting on Facebook on our behalf, how many of our family and friends will really know the difference? We’d like to think that the difference would be obvious, yet for someone who is determined to disappear, how difficult would it really be to do so? It’s an audacious idea, and a sobering realization that for some people, this might actually work. Kiss Me First has an intriguing premise: what if the main thing that stops people from acting on suicidal tendencies is the thought of the grief their loved ones will suffer? And what if, thanks to people’s ever-increasing digital footprint, a website can help you ease that transition? What if this website can help you distance yourself slowly from your loved ones even after you’re gone, so that by the time they’re aware of your death, their grief won’t be as sharp?
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